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When Woody Allen first heard the songs Marvin Hamlisch had written for the Broadway musical adaptation of his 1994 film Bullets Over Broadway, he was disappointed. Reluctant to consider the project in the first place, Allen felt that even with the talented Hamlisch onboard, it still wasn’t coming together. It was only when his sister, Letty Aronson, suggested that they try it again using period songs from the 1920s that Allen saw the light, and thus Bullets Over Broadway the musical was born. A little more than a decade later, the show premiered at the St. James Theatre, featuring new arrangements of a slew of great tunes from the Tin Pan Alley era, including “Tiger Rag,” “Let’s Misbehave,” “There’ll Be Some Changes Made,” and “I’ve Found a New Baby.” With distinctive choreography by Broadway darling Susan Stroman, the show ran in 2014 for more than 100 performances.
This year is moving just too fast. Earlier, say in January, I spoke with SBHS Drama Department head Otto Layman; we were both in line at Paseo Nuevo waiting to buy a movie ticket. He told me about Bullets Over Broadway, and explained that Santa Barbara High School had the honor of presenting the very first high school production of Woody Allen’s Tony Award-winning musical. I wanted to make sure to cover it and saw that there was plenty of time.
Holy Toledo! Otto Layman and his Santa Barbara High School Performing Arts Department have done it yet again. Montecito Journal has featured Layman's stellar productions of such classics as Beauty & the Beast, Singing Is The Rain, Spamalot, The Drowsy Chaperone, Footloose (featuring an end of the show performance of the song "Footloose" by its creator, Kenny Loggins), and many other fine productions. I have often wondered in writing what mysterious ability Otto has that allows him to inspire a continuing cavalcade of youngsters bristling with unformed talent to perform at a level, dare I say, decades above their pay grade? But have yet to discover what that is.
SANTA BARBARA, Calif. - Students have been working for months to get the musical Hair just right. The show opened over the weekend at Santa Barbara High School. Hair tells the story of hippies living in New York and protesting the Vietnam War. Many of the songs became anti-war anthems. The cast is made up of 29 students including soon-to-graduate seniors. The band is made up of UCSB students, graduates and professional musicians. Hair is directed by Otto Layman who has been working with teens at the school for two decades. The show runs through the weekend Mother's Day May 8.
Have you seen the best little musical theater company in Santa Barbara? It’s filled with super talented teenagers working together with a group of remarkable professionals. It has been staging the finest American musicals for the last 20 years, almost 50 productions, everything from Singin’ in the Rain to Spamalot. This week you can boomerang back to the ’60s and see their mind-blowing production of Hair and realize how relevant and resonant that musical is for audiences today.
This is musical theater at its best; oh, by the way, it’s in a high school.
Originally produced in 1972, Pippin has been reworked for the 21st century in a recent 2013 Broadway revival. This new circus-inspired production, led by the charismatic Leading Player who tells Pippin’s story, opens on November 6 with a run through November 15 at the Santa Barbara High School Theatre. It’s the story of a young man, Pippin, looking for fulfillment in his life, only to find dissatisfaction in everything he tries. To prove his loyalty to his father, King Charlemagne (Quique Hernandez-Black), he goes to war, only to discover the harsh reality of war. After the Leading Player (Camille Umoff) convinces him to fight tyranny, he kills his father and takes over the throne. Finding dissatisfaction in being king, he begs the Leading Player to bring his father back to life, and she does as requested. Pippin then falls in love with Catherine (Sable Layman), a widow with a young son, Theo( Lex Siegel), and he struggles to decide whether he should settle down and pursue a peaceful life, or continue to make magic with a dazzling troupe of performers.
For every star on Broadway, there are thousands of hopefuls toiling away in summer stock, college productions, and high school shows. What keeps them going — along with the sheer pleasure they take in performing — is the dream that someday they will break through to the big-time and join their idols on stage in a full-scale Broadway production. For Dana Musgrove Costello, that Broadway dream came true. The young singer/actress is currently appearing in the season’s most popular new Broadway musical, Finding Neverland, alongside Glee’s Matthew Morrison and Kelsey “Frasier Crane” Grammer. Costello’s road to Broadway started at Santa Barbara High School and continued through the Pacific Conservatory of the Performing Arts (PCPA) in Santa Maria, which makes her a perfect demonstration for area theater kids of the fact that, yes, it can happen here, and maybe even to you.
I spoke with Costello by phone from New York recently, and then I corresponded with some of the teachers who knew her when she was here. The portrait that emerged from these conversations confirmed some of the musical theater’s most deeply felt convictions.
This exciting and playful production succeeded in tearing down the theater’s well-known “fourth wall,” that invisible barrier separating the audience from the action, and it did so in multiple ways. First, there were the direct physical assaults, as when, in the opening number, Aaron Linker (who played the Music Hall Royale actor Mr. Clive Paget) and his character (the sinister choirmaster John Jasper) jumped off the stage and landed just before the front row, his leap perfectly timed to emphasize his self-assessment as “quite mad.”
Surely one of the most ambitious shows to be mounted in the area this season, Big Fish is the Santa Barbara High School Theatre program doing what it does best — big musicals with lots of dancing and professional production values. Theater program director Otto Layman is the auteur responsible for this marvelously complex and layered evening, with Jessica Hambright on board as choreographer to help realize the multidimensional vision of the show’s original Broadway director, the legendary Susan Stroman. Aaron Linker plays Edward Bloom, the tale-spinning, shape-shifting protagonist, and Andrew Gutierrez is his son Will, the relentlessly practical and analytic counterpoint to his father’s slippery grandiosity.
The World-Wide Wicket Company takes center stage in this Pulitzer Prize- and Grammy Award-winning musical about a young window cleaner, J. Pierrepont Finch, played by Aaron Linker, who, after reading a book titled “How to Succeed in Business,” begins a meteoric rise from the mailroom to the vice presidency of advertising. Directed by Otto Layman, with choreography by Christina McCarthy and musical direction by Jon Nathan, the Santa Barbara High School Theatre production opens May 1 with performances through May 11.
Getting in the driver’s seat for a production of MONTY PYTHON’S SPAMALOT, the Eric Idle and John Du Prez penned Tony Award-winning Best Musical, is a true opportunity to give your cast, crew and audiences the theatre experience of a lifetime. Since launching the wide-release of SPAMALOT over a year ago, there have been hundreds of productions around the world by groups from community, high school and university theatres to high profile professional companies to a new West End production, still lighting up the stage in London. SPAMALOT is a ticket sales machine wherever it is produced for the sheer excellence of a show that has become a beloved musical classic, that never existed in the shadow of its wonderful and iconic cinema source material Monty Python and the Holy Grail.
Successful Broadway shows lead eternal double lives, coming into existence first in the theater but then living on wherever and whenever its numbers are performed. As satisfying as it is to see a whole musical, there’s a lot to be said for the pleasures of a good revue, and this is an excellent one. The songs are drawn from current (Matilda, Sister Act), recent (Jekyll & Hyde, Jersey Boys, Rent), and classic (West Side Story, Grease) musicals, and they reveal the extraordinary range of talent present in the SBHS performing arts program. A live orchestra in the pit, anchored by John Douglas on piano and Lito Hernandez on sax and as music director, keeps the whole thing flowing beautifully, and the trio of directors — Grace Apostolopoulos, Malcolm McCarthy, and Claudia Fanaro — do a brilliant job of showcasing the singing, acting, and dancing of these talented performers.
We so enjoyed reading the excel-lent article written by young Tyler Greenwald on the Santa Barbara High School theater program and its masterful director Otto Layman (On Theatre, "SBHS Theatre: A Life-Changing Experience?," MJ # 19/50). As a teacher and mentor, Mr. Layman deserves enormous praise and appreciation from this community and the young people he has inspired and guided over the years not just for the wonderful plays and musicals he produces with them, but for a much greater gift that he gives. Tyler asked if the Santa Barbara High School theater program is life changing. "Does it deliver more than just applause?" he asks. The answer to that question is a resounding "Yes!" Three of our four sons attended Santa Barbara High School.
Every year, Santa Barbara High Schools drama program stages three “all-out” productions. These productions consistently play to full houses and earn nothing but positive media reviews making them a significant contribution to the enjoyment and pride of the entire Santa Barbara community. The recent musical of Chicago was such a success, “phenomenal” was the word used most often by audiences and critics alike to describe this production.
I caught Otto Layman’s Santa Barbara High School musical production of Chicago last Friday night. And, it was terrific. It was better than terrific. It was overwhelmingly good. I didn’t simply “enjoy” the show, I was bowled over by it, riddled with glee, sumptuously entertained, jubilantly absorbed... you get the picture.
Let’s start with the performers: Let’s start with, say, Camille Umoff, who takes on the role of Velma Kelly (played by Catherine Zeta-Jones in the movie version). Camille was Nancy in Janet Adderley’s Santa Barbara Youth Ensemble Theater production of Oliver! at the age of eleven. She is now thirteen and a freshman... a freshman!... at SBHS.
On a Monday in October at 4:30 in the afternoon, the theater at Santa Barbara High School buzzes with half a dozen different constructive activities. And I do mean buzzes — and constructive — as one of the most noticeable things happening onstage is a young man welding. Not 20 feet from where this safety-hooded figure solders pieces of metal, a dance rehearsal with choreographer Christina McCarthy goes on. As the dancers in their sweats practice a combination, the giant tabloid newspapers with headlines about murder and scandal sit suspended overhead; suddenly, things start to make sense. We’re in Chicago — not the Windy City, but the Broadway show, which plays at Santa Barbara High School Theatre November 1-10.
There are some who may quibble with Santa Barbara High School's iconoclastic Drama Department head Otto Layman that he sometimes chooses material that might prove too challenging, too risque even, for a high school production, but he plows ahead anyway; he knows his stu-dents perhaps even better than some of their parents. At least, Otto really, believes he knows what his thespian charges can do and which among them will rise to the occasion. And he rarely misses. His latest challenge is Cabaret, the musical, and the first of what Otto presumably hopes will be a yearly "Summer Stock" production
Clayton Barry is now a Santa Barbara High School graduate, as is Elli Harb, both of whom spent four years at Santa Barbara High School and were an integral part of Otto Layman's Performing Arts Department, particularly as juniors and seniors. The two joined me out-side Pierre Lafond in Montecito's upper village to help analyze what it is that Mr. Layman does that makes him such an overwhelmingly successful director. Otto took over the Performing Arts Department at the high school in 1995, the same year Montecito Journal was launched and, coincidentally, the same year most of this year's seniors (including twins Clayton and Jessica Barry) were born (gulp).
There is some pretty spectacular musical theater on stage right now in Santa Barbara in a surprising location. For the bargain price of $10, you can treat yourself to two hours of Vegas-wattage, Broadway-bound rising stars hitting it out of the park. The Santa Barbara High School Theater is staging Spamalot, lovingly ripped off (as they put it) from Monty Python’s Holy Grail, totally amped up, dressed up and repackaged into a raucous show with something on offer for everyone.
King Arthur (Jordan Lemmond) and his trusty steed (Clayton Barry) set off in search of the Holy Grail in the SBHS production of Monty Python's Spamalot. Spamalot is indeed "(lovingly) ripped off form the motion picture Monty Python and the Holy Grail," as its publicity proclaims, but it also cribs unapologetically from Life of Brian and other Python creations. No matter; it's all good. In fact, from what I saw of the cast's first dress rehearsal, it's all very, very good indeed.
You have no excuse for not catching the Santa Barbara High School production of the The Drowsy Chaperone; the Otto Layman directed Broadway musical plays again this weekend and it stars a number of up-and-coming Hollywood-Broadway talents, many from Montecito. I caught the show on opening night last Friday, November 9 and – this is the whole truth and nothing but the truth – my cheeks hurt from laughing so hard and so often. And I’m not talking about the cheeks I sit on. The Drowsy Chaperone features music and lyrics by Lisa Lambert and Greg Morrison, book by Bob Martin and Don McKellar, all close friends who created this Broadway musical parody as a wedding gift.
Last night I had the pleasure of attending Santa Barbara High School's fall performance, "The Drowsy Chaperone." I had never heard of the play, so I wasn't sure what to expect. Musical comedy by a bunch of teenagers? I tried to think of an excuse, but if I'm going to fight for more funding of the arts in our local schools, I had better be prepared to support them in person as well.
There has not been a long and storied tradition of man-eating plant musicals on the Great White Way. There has been exactly one such extravaganza, and it was a smash sensation, a runaway Broadway success in 1982. Santa Barbara High School Theatre’s production of Little Shop of Horrors hits all the high points of the original and adds some real magic of its own.
Founded 10 years ago as a fundraiser for the Santa Barbara High School theater department, Music of the Night has established a reputation independent from its purpose. It is now arguably the most popular high school production among students. It is an entirely student-run, student-produced musical revue, with rehearsals barely fitting in the time frame between the fall play and the spring musical. This year’s directors, Kristian Sorensen, Dylan Fitzgibbons, Jana McIntyre, and Olivia Ghersen, are leading a cast of 41 students.
The split that divided the generation of the 1960s is one that transcends all eras-the massive contradiction of love against hate. While the youth of the ‘60s doused its spirits with love, many of their elders urged them to fight and kill in Vietnam. HAIR shows an era of revolution where values were redefined as children were sent by their parents to protect them (as in the song “I Got Life”), love for the community overwhelmed love for another individual (as in “Easy to Be Hard”), and duty challenged integrity. Now, with the decade of HAIR 40 years past, Santa Barbara High School has brought this beautiful representation of love, war, and hope back to life.
This high school production of the enormously popular Disney musical was as high-tech and ambitious as any play produced in Santa Barbara this year. Otto Layman, Chris Walas, and the extraordinary cast did a wonderful job deepening and darkening the familiar fairy tale, contributing to an evening of nonstop musical fun and laughter. As Belle, Santa Barbara High’s Jana McIntyre brought a beautiful voice with a warm rich tone along with excellent acting skills to this demanding lead role.
Up On “On The Town”
The cast of high-schoolers that performed in this year’s Santa Barbara High School musical “On The Town” was nothing short of remarkable. It is difficult to point out one outstanding performance when everybody was so darned good. The comic timing, the duo dancing and singing, the snappy dialogue, the sets, the jazz ensemble headed up by the talented Richard Weiss, all were funny, polished, and professional. There were no embarrassing silences; everyone knew their lines… always. The music came in and out precisely on cue, and both the medley at the beginning of the show and the rendition of Glenn Miller’s “In the Mood” before the second act were, for such young musicians, implausibly good.
The sets were simple and sophisticated: a skyline of Manhattan center stage behind a gate with barbed wire on top (the Navy Yard); to the right, a giant cutout of the Chrysler Building, complete with working revolving doors; later, the “stage” onstage dressed as three different nightclubs; the “moving” subway cars complete with garbage under the seats; to the left on steel girders, like a building under construction, was the jazz orchestra, headed up on one level at the piano by Richard Weiss and the reed section; above that on a higher level, the horn section. Ingenious.
Director Otto Layman outdid himself with this elaborate production and deserves kudos for coordinating a group of nearly fifty high-schoolers – most with limited stage experience (though there were exceptions) – and turning them into a cadre of disciplined stage performers.
Montecito Journal
On Stage
By Steven Libowitz
Fifteen, Going on 11
Landing the lead in your high school play might be a once-in-a-lifetime thrill for most 11th graders, but for Carlin Traxler, who stars as Iris in Santa Barbara High School’s fall production of “Still Life with Iris,” performing on center stage is nothing new.
Carlin, who is the daughter of Montecito filmmaker Steve Traxler (co-producer of “Legally Blonde II” and “Windtalkers”), was a fixture at the now-defunct Santa Barbara Civic Light Opera, where she played Gretl von Trapp in the “Sound of Music,” the daughter in “The King and I” and Mimi in “Meet Me in St. Louis.”
“I was in second grade and there I was acting several nights a week, staying up to midnight after the shows were over,” Carlin said, moments before bounding on stage to join the cast of 45 in a full dress rehearsal a week before opening night.
Iris is the heart and soul of “Still Life,” a fantasy adventure story of an 11-year-old girl who lives in the magical land of Nocturno, where workers toil at night to make the things we enjoy in the daytime. In their world, memories aren’t part of people’s minds but instead reside in their jackets, called “PastCoats.” Iris is taken from her family and has her coat removed, leaving a lone button as all that remains from her past. With that single clue, Iris strives to recover her past and find her way home.
Despite her full family life, Carlin said she had no difficulty connecting to the role.
“There are some tender moments,” she says. “I think about what if I were taken away from my mom and that does get me a little teary-eyed. I can understand the feeling.”
Much more difficult for Carlin, at least at first, was having to shave five-plus years off her age, something no teenager wants to do.
“When I first read it, I was a little skeptical – it seemed like it was such a young girl’s play, and the language is really young,” she says. “Having to become a little kid is the hardest part for me, because in our society, at least at my age, everybody wants to be older than they are.”
Director Otto Layman, who teaches theater at the high school, says Carlin is a natural fit in the role. “In life you get three minutes to audition, but I see these kids every day,” Layman explains. “So I know she has the emotional range for it, to play very young and to grow in the role. There’s an enormous transformation, a huge learning curve in this emotionally complicated script.”
Indeed, the set and production of “Still Life” are as rich as the writing. The play – which is the only one written for children ever to win a Best American Play Award from the Kennedy Center – is a collaboration between author Steven Dietz (“God’s Country”), stage magician Steffan Soule and illustrator Cooper Edens. Despite the expense, Layman arranged for Soule himself to spend more than a week with the young actors training them in the magic portions of the show, which includes lots of sleight of hand and a very formidable-looking lightening machine.
“We’re ambitious, always pushing the envelope,” Layman says. “I could have settled for a cheesy high school show but I realize that ninety-nine percent of the kids won’t go on and act again, so I want them to remember this always.”
Carlin, however, is aiming to be part of that other one percent.
“I would love to be an actress,” she said. “I feel so complete on stage. I’ll do anything in front of people, sing or dance or whatever. I don’t worry about making a fool of myself, I don’t care how many people are watching or if there are cameras on me. I just do it. It’s in my blood. So I definitely want to pursue it and I can’t see myself doing anything else.”
Parent Comments
...on a side note I would just like to complement you on the positive environment you foster with the kids. Blake only had positive things to say about you and the way the entire cast encouraged each other during Alice and Wonderland. This was one of the main reasons he chose SBHS because of things people said about you and how supportive your casts are of one another. Blake has been in many other productions and after his experience with you he said he was so happy to chose SBHS. He said the kids are nice to each other, supportive, and there was no behind the scenes drama.
Thank you so much for promoting this positive energy!!!
Josie DeVine
December 2011
Thank you so much for the tickets to the play [Alice in Wonderland] last night. Such a generous thing for you to do. I was, frankly, overwhelmed with the professionalism of the entire thing. The sets and costumes were so whimsical and clever...equal to any adult play I have been to--and the students--oh my! I was most fascinated by the accents and the diction. Don't know how Otto gets every single one of those kids to speak out like that.
The twists and turns of the plot were incredible...
Thanks.
Rebekah Mulder
November 2011
Many schools coast through the fall season on drama alone, leaving the big musicals — with their outsized casts, props, orchestras, and budgets — for springtime, when young people’s thoughts turn naturally to such things as great first-act finale songs. Not Santa Barbara High, though, where student interest in musical theater has traditionally been through the roof and where director Otto Layman and a remarkably diverse team of creative personalities consistently deliver musicals in both autumn and spring semesters. This year’s fall production is Pippin, with music by Stephen Schwartz and the book by Roger O. Hirson. SBHS stage veteran Bradley DeVine is Pippin, and the divine Camille Umoff will perform the role of the Leading Player. Christina McCarthy’s choreography is sure to be spectacular, and her UCSB colleague Jon Nathan is the show’s music director. In addition to Layman, who is now in his 20th year at the school, the other creative principals are Mike Madden (lighting), Bonnie Thor (costumes), and Rachel Short (vocal director).